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Lucinda Williams – Stone Mountain Arts Center – 07/31/12

Rufus Wainwright / Adam Cohen – The State Theatre – 07/31/12

Lee Ranaldo Band / 200 Years – SPACE Gallery – 07/30/12

Ingrid Michaelson / Greg Laswell – The State Theatre – 07/28/12

Johnny Corndawg / Wesley Allen Hartley / Crowns – Empire Dine & Dance – 07/27/12

An Evening With / Evan Casas – Slainte – 07/27/12

Church of Love and Ruin: B. Dolan / Grand Buffet / What Cheer? Brigade / Vockah Redu & the Cru / Wheelchair Sports Camp – SPACE Gallery – 07/27/12

Kurt Baker – Slainte – 07/26/12

Rattlesnakes / Leaves, Leaves / Verla Woods / Endless Jags / Final Frontier / The Heavy Sweater Band – Mathews – 07/26/12

Third Class / Rural Ghosts / Jon Sandler / Grain Theif – Flask Lounge – 07/25/12

Shonen Knife / White Mystery / Whip Hands – SPACE Gallery – 07/25/12

Matisyahu / The Dirty Heads – The State Theatre – 07/25/12

Featured Album: if and it – Bleeding Moon

 

Article by Kevin Steeves.

It would be difficult to think of a harder working — or at least busier — Portland musician in the last six months than Evan Parker, the primary songwriter and vocalist of if and it.

At the tail-end of last year the band released the no-fuss lo-fi EP Ratpig while being holed up in a cabin in rural New Hampshire for a weekend, and in the last two months the band released a pair of aesthetically opposing albums. In May, the band released the Americana-endowed Sparkly Gold to critical acclaim for its take on rootsy jangly-pop, and last month brought the release of the more straight-ahead rocker Bleeding Moon which like Ratpig, was recorded in a few days — this time in the Southern Maine agricultural holdout of Gray.
Although much of the initial press behind the duo of releases has been focused on the differentiating studio techniques, Parker said that he sees the difference in methods as just a natural extension of the initial writing and recording process. While Sparkly Gold was largely conceived at Forest City Studios in South Portland with help from Ron Harrity of Pepod Recordings; Bleeding Moon was a slightly more casual affair with more in common to the similarly low-key affair of Ratpig, and was recorded at drummer Chris Dibiasio’s house before getting a few final touches by Harrity.

“Production is important but we don’t like to limit ourselves going into a project,” said Parker, adding. “You know, thinking it has to sound a certain way, or have a certain feel. Our approach is really organic and accepting of the natural elements that surround us.”

While both Sparkly Gold and Bleeding Moon were released a mere six weeks apart from each other, Parker is also quick to differentiate the two and the quick rush to establish a chronology between the two.

“That was unexpected. There is no reason behind these albums coming out at the same time and there is no connection with their names,” said Parker. “They are very different animals and should not be seen as connected albums. They just both happened to be ready at the same time.”


Continue reading Featured Album: if and it – Bleeding Moon

Kayo Dot / Huak / AWAAS – Dirigimus – 07/21/12

Sean Bones / Mike O\’Hehir (of Old Soul) / Rural Ghosts – The Oak & The Ax – 07/20/12